It certainly complimented New York’s Palladino, whose cover of “Redbone” washed over us in a sort of haze as the beers kicked in and the audience not-so-subtly waited for Turnover to show up. This isn’t your standard backdrop, since it steals your gaze away from the bands and effectively serves to remove another boundary between audience and performer. That wasn’t what first caught my attention, though, since the basement had been entirely transformed with psychedelic light-show visuals that deserve a special mention. Shocked after finding merch I could actually afford, we headed inside an exceptionally sweaty pit of good vibes, Red Stripe cans and smiling faces. I’d never checked out the venue before but apparently it doubles up as a vegan café, a nice bonus for those who weren’t interested in the opening acts and only joined us in the basement later on. ![]() Luckily for me Emily turned out to be awesome company, and I think most would agree that it’s nicer to see a gig with a fellow fan than to go solo. Fast forward to the alleyway housing Stereo, and that one mutual Facebook friend from middle school didn’t feel like much insurance. “Wanted it” is a bit of an understatement a quick glance at the event page revealed more than a few desperate hopefuls begging to catch the Virginia three-piece at one of their final UK stops. I wasn’t opposed to going it alone, but I didn’t want the extra ticket to go to waste if someone else wanted it. This isn’t Turnover’s first stint in the UK by any means, their first visit was 3 years ago, but it’s safe to say that the majority of their support base remain across the pond. I’d forgotten I was going into third year, a dark vista of deadlines and anguish, so honours students won’t be surprised to hear that I struggled to find a concert buddy. I’d been listening to “Peripheral Vision” on repeat for about two weeks, and I figured by the time September 26th rolled around I’d be itching to leave the St Andrews bubble anyway. When tickets to Turnover cropped up on my Facebook newsfeed back in June, I bought a pair without really thinking about it. This particular night, “putting myself out there” meant taking the train to Glasgow to catch a gig with a stranger. You never know what’s around the corner, so always grab life by the horns. It could be anything braving tequila shots after a dodgy night out, giving your ex another chance, getting a tattoo. Album DescriptionSometimes, you just have to put yourself out there. See more Your browser does not support the audio element. Turnover have expanded their range with Peripheral Vision, and this new direction agrees with them. Most of the songs like "Cutting My Fingers Off" and "Like Slow Disappearing" ride a midtempo wave of understated, late-summer melancholic pop, stripping away much of the angst and putting the focus on their improved and far more subtle songcraft. Standout track "Humming" is a melodic, sundazed gem full of rich harmonies and thoughtful, chiming riffs. ![]() Working again with producer Will Yip (Title Fight, Circa Survive), Turnover have dialed down the distortion and attitude in favor of a highly textural dream pop/shoegaze-inspired sound. While their 2013 debut album, Magnolia, showed a more brooding, melodic side, there was little to indicate the new direction they would take on their surprising 2015 follow-up, Peripheral Vision. Virginia Beach quartet Turnover originally came out of the pop-punk scene, crafting a heavy, emo-inspired EP in 2011 and signing with Boston indie Run for Cover Records shortly afterward. ![]() Purchase and download this album in a wide variety of formats depending on your needs.
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